The biggest difference I have found when working photochemically versus digitally on motion pictures is the length of time the takes can last. Broadly, a 1,000ft roll of 35mm film lasts around nine-and-a-half minutes before running out, while a digital tape or recording card or hard drive can last from 40 minutes to over an hour and a half. This translates to a very different rhythm on the floor; the pressure to “cut” to save film is alleviated.

Archiving digital images is a technological dilemma. The idea of that discovered shoebox of pictures, or wedding album, will not exist digitally in your camera or on your computer or in a “cloud”: you should print them. I often feel a photochemical image contains the mass of the subject and dimension; a digital image often feels as if it is mass-less. This could be nostalgia or simply how I learned to see. Others will not have this learning: they will probably never experience a photochemical image. Is this loss a tragedy, a revolution, an evolution? What have we lost, and what have we gained?

I will miss walking on to a photochemical film set. It has a magic to me. When the director says: “Action”, and the film is rolling, it feels like something is at stake. It feels important and intense. In a way, death is present in the rolling of that film – we live, right now – and the director says: “Cut”. And that moment in time is captured on film, really.